MTV Movie Award winners that have aged the worst

Yes, many of his one-liners were iconic. As was the movie. But this has a blockbuster bounce in the voting written all over it. Ahnuld spoke 700 words total (for $15 million) and was certainly the odd man out regarding talent in going up against Robert DeNiro, Robin Williams, Val Kilmer and Kevin Costner.

I recognize these as words, but together they don't mean anything. Does anyone even remember this movie? Good thing Christian Slater returned to relevance with "Mr. Robot."

"Free Willy" and Michael Jackson retrospectively do not go well together. The song, released at the end of Michael's prime, works within the context of the film... but that's the problem, considering it's a mostly forgotten early '90s kids film. Add the documentary "Blackfish" to the mix, and this is just a stinky piece of cheese to consider.

Three words: Fictional African country. Aside from being horribly offensive, this movie was simply terrible, and Jim Carrey was not that great in it. Unfortunately, the deserved winner was Mel Gibson for “Braveheart” which may have caused problems here if it wasn’t such a superb movie.

While “Scream” effectively made the horror genre credible again, pulling it away from straight-to-video exile, it just doesn’t stand up to the test of time. The meta, deconstructionist methods seem shallow and did not leave any lasting influence on the genre.

There is no way in heaven and earth that Neve Campbell was the Best Female Performance when Kate Winslet was throwing around lines like “Paint me like one of your French girls, Jack.” Sorry, but nope.

I did not like the Farrelly Brothers’ gross-out comedy then, and I do not like thinking about it now. It is shocking that it won four times in 1999, including Best Movie over "Armageddon," "Saving Private Ryan," "Shakespeare in Love," and "The Truman Show," which were all far superior.

This romantic teen drama is a late '90s time capsule of then-young stars like Ryan Phillippe, Reese Witherspoon, Joshua Jackson, Sean Patrick Thomas and Tara Reid. It's forgettable otherwise, minus this infamous kiss, which today feels just like a stunt involving two of the era's young female stars.

Hey, it's Mini-Me! He's a clone of Dr. Evil, only one-eighth the size! And that's pretty much the joke. 

The fact we even have to recall this movie is sad, that it won even a single award is downright depressing. Chesko, Sebulba, indeed.

Ah, the early 2000s, when raunchy, mindless teen sex comedies and gay panic could rule the box office.

Ho-hum, just another "Hey, let's have two attractive actresses make out," with a dash of Owen Wilson for good measure. 

Despite being one of Adam Sandler's more charming roles to date (despite being a cad in the beginning of the film), the premise of the film presents a question never answered in the plot: How can Drew Barrymore's Lucy actually consent to anything if her memory keeps getting wiped out? Not something audiences (or the screenwriters) were asking back then, it seems.

"Napoleon Dynamite" became an unexpected hit in 2004, thanks to the quirky, offbeat (and clean) humor of the Hess brothers, who created and directed. The backlash since has seen polarizing receptions to the film, and today it doesn't quite live up to the enthusiasm of its most ardent supporters, being mostly inoffensive and reduced mostly to its catchphrases.

The wild popularity of all things Vince Vaughn and/or Owen Wilson in the aughts is a hallmark of the decade. Sure, they're sleazebags, but they're our sleazebags. A decade on, the desperation and overall scumbaggery comes off as, well, desperate and scummy.